The uneven Disney+ series views the Star Wars universe through an anime lens. The result points up the visual potential — and narrative limitations — of the franchise.
"We're all taught that the success of a relationship has to somehow correlate with the length of it ... I just don't think that that's fully accurate." The singer-songwriter's new album is out today.
With sets shipped from Europe stuck on a boat that can't dock because of coronavirus disruption, LA Opera went to work building new sets, cramming months of work into ten days.
Broadway shows have implemented strict protocols, but anxiety is high. "The culture of 'the show must go on,' it has to be left behind," says the executive director of the Actors' Equity Association.
A trio of Upper West Side neighbors and true-crime devotees stumbles upon an actual murder and proceeds to make a podcast about it in this shrewdly funny Hulu series.
Ted Lasso, which is always a bunch of love stories, salutes romantic comedy in an episode that brings out a new side of Nathan and a new professional aspiration in Roy.
The Showstoppers! exhibition in New York's Theater District showcases the work of an industry hit hard by the pandemic. Visitors can see more than 100 costumes — and watch artists hard at work.
From Broadway to your local community playhouse, the pandemic put live theater on hold. But the theater is slowly coming back. Joining us to talk about that and more is playwright, best-selling author, poet and political activist Pearl Cleage. She's currently the playwright in residence at the Alliance Theater in Atlanta.
As summer festivals and massive concerts returned this month amid the promise of "hot vax summer," the surge in the delta variant has disrupted plans for carefree live music.
The first play to open on Broadway in more than a year, Antoinette Chinonye Nwandu's Pass Over tells the story of two young Black men dreaming of a better tomorrow in a world of police violence.
Royal is only the third Black dancer to be promoted to principal at the American Ballet Theatre — which is even more impressive when you know he didn't begin training in ballet until he was 14.
Dave Chappelle drew sold-out crowds to his live, indoor appearances in Washington, D.C. — 3,500 attended his show at the concert venue The Anthem and more than 2,000 came to the Kennedy Center.
Scholars have a mantra: Shakespeare is universal and his works are for everyone. But for Black actors and audiences, does an implicit whiteness in the Bard's canon hinder access and identification?
