Scholars have a mantra: Shakespeare is universal and his works are for everyone. But for Black actors and audiences, does an implicit whiteness in the Bard's canon hinder access and identification?
McCraney's script was adapted into the Oscar-winning film. David Makes Man, now in season 2, begins with a Miami boy whose mother struggles with addiction, and has echoes of McCraney's own childhood.
The new musical comedy series Schmigadoon! brings a delightful cast to a parody of 1940s Broadway musicals, with good musical results, if things are a little mixed otherwise.
Seven new work by Black playwrights are scheduled to make their Broadway debut in 2021; Five of these writers are set to see their work performed on the Broadway stage for the very first time.
The actor agreed to a settlement in a class-action suit led by two of his former students, Sarah Tither-Kaplan and Toni Gaal, at his now-shuttered Studio 4 school.
The American Rescue Plan set aside $135 million for arts and culture, nearly doubling the amount that was available in President Trump's CARES Act, and makes more groups eligible for funding.
Lincoln Center observes Juneteenth, now a federal holiday, with "I Dream a Dream That Dreams Back at Me," an ambulatory experience conceived by Carl Hancock Rux.
Though much of it is unwatchable today — it contains blackface and other minstrelsy — Shuffle Along brought jazz to Broadway and was the first African American show to be a smash hit.
With his film Crazy Rich Asians, director Jon M. Chu made his mark on Hollywood — opening doors for Asian American representation on screen. He reflects on how his heritage informs his cinematic work.
The past year, with COVID and calls for social justice, has made those running Lincoln Center and other arts organizations question their core missions, says Lincoln Center's president Henry Timms.
A cleverly made Romeo & Juliet, adapted from a planned theatrical run to a filmed version, embraces the promise and the romance of a large and empty theater as a place to situate a classic story.
It's been more than a year since theater goers have been able to see an indoor performance in New York City. But some spaces and producers are moving to find safe ways to open up.
