The last James Bond movie to star Daniel Craig is out today; Chris Klimek argues that Craig is the "bookend Bond," showing us 007 at the beginning and end, but never the prime of his career.
Craig has been a terrific James Bond, maybe even the best. But there's something a little too strained about the tragic emotional arc his character has carried with over the past several movies.
Bradley and Laura are sitting in a tree, T-A-L-K-I-N-G. Alex doesn't want to moderate the debate, and even though Bradley and Daniel both desperately want to moderate it, Cory only wants her.
While the book is very much the tale of young Dasani Coates, Andrea Elliott uses her story and that of her family to examine the many who find themselves in similarly impossible circumstances.
The Alabama native has died after battling leukemia. Goldsmith won the top prize on Chopped Junior when he was 14, before moving on to Top Chef Junior.
The Zanzibar-born novelist is known for his postcolonial works, examining refugee life in England and the effects of empire. He is the first Black person awarded the prize since Toni Morrison in 1993
NPR's Audie Cornish speaks with Salamishah Tillet, co-host of a new podcast that puts Anita Hill and Christine Blasey Ford in conversation together, for the first time. It's called Because of Anita.
Fiona Hill was a key witness at Donald Trump's first impeachment hearing. Now she's warning about the threat to American democracy that comes from within. Her memoir is There Is Nothing for You Here.
James Han Mattson's Reprieve — set at a full-contact escape room attraction where actors can attack players — is overstuffed with character arcs and concepts, but somehow he makes it all work.
Miriam Toews based the women of Fight Night on the women in her own life — her battles are their battles; against pompous religious leaders, abusive husbands and the lies depression can tell.
Alix E. Harrow's A Spindle Splintered gives us a Sleeping Beauty for today, cursed not by an evil fairy but by an industrial accident, and yanked into another dimension where she must save a princess.
In his new Netflix special, Dave Chappelle tries — and often fails — to justify button-pushing jokes about gay people, transgender people and feminists.