In her new hybrid memoir, Katie Goh unravels the multitudes citrus fruit contains, in lockstep with mythologies of colonialism, inheritance and identity.
Matthew Specktor grew up the son of a famous Hollywood agent. In The Golden Hour he serves up family saga, cultural criticism, fictionalized biography, history and lament for a vanishing world.
The Secret Life of a Cemetery is a paean to the renowned Parisian cemetery, Père Lachaise. There, 10,000 visitors a day seek the graves of some 4,500 notable figures.
Nat Cassidy's wildly entertaining novel is a superb example of how to work with clichés. When the Wolf Comes Home might sound like a werewolf novel — but it's an entirely different animal.
Laila Lalami's dystopian novel centers on a woman who's been incarcerated because an algorithm flagged her as a crime risk. The Dream Hotel paints a grim picture about the ways our data can betray us.
Lydia Millet's characters in Atavists interact and have little dramas of their own — the author's talent is on full display here. Not every story is strong, but they work well together.
Dorothy Parker's posthumously published collection is Poems; Camilla Barnes' debut novel is The Usual Desire to Kill. Both affirm: sharp humor can be grounded in pain.
Russell has published excellent short story collections since her 2011 debut novel Swamplandia!, but this is her first novel in nearly 15 years. It follows a "Prairie Witch" in Dust Bowl-era Nebraska.
Sunrise on the Reaping recounts the 50th annual Hunger Games, telling the story of Haymitch Abernathy. It's themes and events conjure images of today's U.S. political climate.
The prose is gorgeous and the plot is complex. The author of The Only Good Indians returns again with a spellbinding yarn about one of the bloodiest, most significant parts of the nation's history.
