Hollywood's plummeting film and TV production levels have studio executives and grassroots groups pushing for better incentives to keep business in California.
This documentary-drama hybrid is one of the best new movies our critic's seen this year. It draws on archival footage to tell a story of two lovers separating and reuniting over roughly two decades.
Co-directors Zach Lipovsky and Adam Stein say they hope audiences will be cringing – and laughing – as they watch Final Destination Bloodlines, the sixth installment in the beloved horror franchise.
Amalia Ulman's new film Magic Farm follows an American TV crew chasing a viral story that, through a series of misunderstandings, ends up in the wrong town in the wrong country.
The updated dress code prohibits nudity on the Red Carpet and in other areas of the festival. The new rules surprised one jury member, who had to make a last-minute outfit change.
Thunderbolts* is unapologetically formulaic. And yet, Florence Pugh is terrific; the action is coherent; and the character dynamics strike the right balance of earnest sincerity and glib humor.
Since he announced his intention to impose a 100% tariff on movies made outside of the United States, President Trump has hedged, saying he's open to meeting with industry leaders.
Production in Hollywood has been suffering. But it's unclear how a 100% tariff on movies produced outside the United States would work – or who it would help.
Dea Kulumbegashvili embedded for a year inside a maternity clinic for her new film, April, about an obstetrician in rural Georgia, as the country faces increased abortion restrictions.
