This weekend at the movies, you can see films about a raging virus and another about a lesson in childhood friendships. What's not to like?

Tom Hiddleston stars in the new adaptation of Stephen King's novella — which is somehow a very sweet film about the inevitable approach of death.

The characters in the romantic comedy Materialists, Celine Song's follow-up to Past Lives, see the dating pool in terms of the "market" – people are evaluated by how "competitive" they are and marriage is treated like an equation to be solved.

In theaters this weekend: A live-action How to Train Your Dragon, a matchmaker rom-com Materialists, an adaptation of Stephen King's The Life of Chuck, and Ana de Armas stars in a John Wick spin-off.

Mike Flanagan's new film, a maudlin mystery about a man dying of cancer, feels hobbled by its extreme faithfulness to the Stephen King novella on which its based.

Movies about musicians love to hit the same melodramatic beats about fame and genius. Important but not quite famous, the '90s indie band Pavement is the exception that unbalances the formula.

Laura Piani's amiable new romance is weighed down by all its allusions and borrowings — and ultimately fails to deliver on Austen's wit.

Four super-rich tech leaders gather for a poker weekend in a mountain mansion while AI technology leads to global chaos in the new HBO film from Succession creator Jesse Armstrong.

Benicio Del Toro plays a globe-trotting tycoon trying to convince his estranged daughter (Mia Threapleton) to be his heir. The film is darker, angrier and more violent than Anderson's usual fare.

The long-running franchise taps into a common fear: You're going to die eventually, and there's nothing you can do about it. Final Destination Bloodlines is the sixth installment.

The two hour, 49 minute conclusion to the seven-sequel franchise is self-congratulatory and inanely plotted. But, as always, it's fun to watch Tom Cruise, now 62, execute eye-popping stunts.

This documentary-drama hybrid is one of the best new movies our critic's seen this year. It draws on archival footage to tell a story of two lovers separating and reuniting over roughly two decades.

Thunderbolts* is unapologetically formulaic. And yet, Florence Pugh is terrific; the action is coherent; and the character dynamics strike the right balance of earnest sincerity and glib humor.

Marvel's latest release is a decently effective blend of misfit mercenaries and pop psychology.

By examining the value of libraries in the distant and recent past, this PBS film makes a compelling case for the importance of the American public library system today.