Netflix's adaptation of Daphne du Maurier's swooning gothic novel strips it of subtext — and sex — and tacks on a ending that misunderstands the "romance" at its center.
A surfeit of subplots and secondary characters — and a complicated production history — take a minor Marvel occult hero on a journey that turns out to be a dead end.
The follow-up to Netflix's The Haunting of Hill House series may not be as spooky, but it does manage to wrap up its story in a more satisfying manner.
A tech CEO (John Slattery) blows the whistle on his own in A.I., which has gained sentience and set out to destroy the human race in FOX's agreeably cheesy techno-thriller.
Netflix's adaptation of Mart Crowley's 1968 play about a gay birthday party that goes off the rails features hard liquor, sharp tongues and broad types.
It feels like a minor miracle that there are so many high-quality shows coming to the small screen this season. Four NPR critics share their picks to keep you entertained during a challenging year.
The US adaptation of a 2013-14 British series about comic book nerds attempting to save the world from a viral pandemic dials back the humor and cranks up the violence.
This bright and breezy Netflix adaptation of a YA novel finds Millie Bobby Brown starring as the brilliant, fourth-wall-busting little sister of Sherlock Holmes.
Sunday night's Emmy Awards, which featured neither a large crowd nor a red carpet, managed to achieve a charming intimacy as Watchmen, Schitt's Creek and Succession all won major awards.
The Third Day, which premiered Monday night on HBO, keeps presenting events that require explanation. But the explanations that come don't sustain the story.
