Throw on those boots with the spurs, grab your cowboy hat, and saddle up that horse, because Beyoncé's highly anticipated album, Cowboy Carter is here. Cowboy Carter is a country-fied album, full of legendary guests like Dolly Parton and Linda Martell, and duets with stars like Post Malone and Miley Cyrus — all tied together with the unbridled swagger of Queen Bey. But is Beyoncé knocking down the doors of the country establishment, or looking for validation?
This week, we're revisiting an exploration of hair braiding gone wrong. Online, women looking to get box braids have gone viral with their complaints about confusing pricing structures, minimal care, and poor customer service. Brittany Luse chats with public historian and YouTuber Jouelzy to get an overview of the tension. Then, Jessica Poitras, legislative counsel for the Institute of Justice, joins the show to talk about the legal roadblocks many hair braiders face in setting up their businesses. And later, Brittany is joined by stylist Tyré Rimple to discuss the hidden costs behind braiding. This segment first aired last summer.
Want to be featured on the show? Record a question for 'Hey Brittany' and send it to ibam@npr.org.
Saturday Night Live poked fun at NPR's Tiny Desk this weekend, with Bowen Yang playing the part of an aggravated intern who just wants the band to keep it down so he can get back to work.
Movies had a big year in 1999. Today, we're going back 25 years to talk about some of the most interesting movies released in 1999 — including Drop Dead Gorgeous, Office Space, and The Talented Mr. Ripley. In this encore episode, we'll talk about what holds up, what looks really different, and what we miss the most.
TikTok has come under fire for its addictive algorithm and for being a place where misinformation spreads. But still, there is one institution that thinks TikTok actually has the potential to be a source of good in our world: Harvard. To be more specific, it's the Harvard Chan Center for Health Communication.
To hear more about how the center is working with TikTok influencers to share researched information with the public, host Brittany Luse is joined by Kate Speer. Kate started as a mental health TikToker, but was recently hired as a marketing director for the Harvard Chan Center for Health Communication. Kate also shares her mental health journey and what it's been like to work within a mental health system that harmed her.
Then, Brittany looks at the history left out of the new Netflix film, Shirley, which follows the presidential run of Shirley Chisholm. Brittany sits down with Dr. Anastasia C. Curwood, author of Shirley Chisholm: Champion of Black Feminist Power Politics, to discuss what came before the historic race. They talk about how Shirley's various identities informed her approach, and scan for her fingerprint on American electoral politics today.
Want to be featured on the show? Record a question for 'Hey Brittany' and send it to ibam@npr.org.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week: The books Collecting the Simpsons and The Angel of Indian Lake, and the third season of Is It Cake?
Monopoly is one of the best-selling board games in history. It was invented by a woman, who for a long time didn't get credit for her idea. What else is hidden in the game's history? Find out here.
In the new Netflix sci-fi series 3 Body Problem, a killing during the Chinese Cultural Revolution sparks a chain of events that puts humanity at risk. When scientists start dying in mysterious ways, five friends just might be the key to saving the world.The series' showrunners include David Benioff and D.B Weiss, the team behind Game of Thrones, who are once again adapting an epic book series.
Kevin Hart received the 25th annual Mark Twain Prize for American Humor at The Kennedy Center Sunday night. Fellow comedians Chris Rock, Jerry Seinfeld and Chelsea Handler were there to roast him.
Ghostbusters: Frozen Empire is the latest entry in the blockbuster action-comedy franchise. This time, the crew has set up shop in New York, and, with the help of the surviving original Ghostbusters, tries to stop a demon looking to freeze the world and rule over it. The film is packed with both newer and nostalgic cast members, including Finn Wolfhard, Mckenna Grace, Paul Rudd, Dan Aykroyd, Ernie Hudson, and more.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week: the 1980s movie Miami Connection, and the podcasts Blank Check and Depresh Mode.
The 1989 movie Road House starred Patrick Swayze as a no-nonsense bouncer who saves a honky-tonk bar from a local toughs. Now, in the new remake, Jake Gyllenhaal plays a former UFC fighter who accepts a job to clean up a seaside bar in the Florida Keys that's being terrorized by a motorcycle gang. There's still plenty of fighting and plenty of brooding, but how does it hold up to the original cult classic?
With less than 10 days until the release of her new album, Cowboy Carter, the multiple Grammy award-winning singer-songwriter discusses the moment that inspired her to delve into country music.
In the new movie Immaculate, Sydney Sweeney plays Cecelia, an American woman who joins a convent in Italy. But after she arrives, she encounters strange occurrences and mysteriously winds up pregnant. Almost everyone in the convent touts it as a miracle, but Cecelia isn't so sure. Horror, of course, ensues. Immaculate was directed by Michael Mohan – who previously collaborated with Sweeney on the Hitchcock-esque thriller The Voyeurs.
Awards season is finally over and even though Oppenheimer took home the top prize for best picture at the Oscars, Barbie still seemed to be a fan favorite. To celebrate the final close of the Barbie movie press run, we revisit an episode from last year about the spectacular femininity of Barbie girls.
Host Brittany Luse sits down with Hannah McCann, a lecturer at the University of Melbourne who specializes in critical femininity studies. They discuss how both Barbie and real-life bimbos are criticized for being bad role models, and yet their carefree, maximalist, hyper-feminine approach might actually be a little subversive.