Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama, alleging harassment and a coordinated campaign to attack her reputation.
Hussey was 15 when director Franco Zeffirelli cast her in his adaptation of the Shakespeare tragedy. The film won two Oscars and Hussey won a Golden Globe for best new actress for her part as Juliet.
Pop culture critic Linda Holmes has been making this annual list since 2010. Big, small, inspirational, silly — what these items have in common is that they are all wonderful and brought her joy.
The copyrights of thousands of 20th-century films, books, compositions and sound recordings expire on Jan. 1, making them free for anyone to share and adapt. Here are some of the highlights.
Every year, we remember some of the writers, actors, musicians, filmmakers and performers who died over the past year, and whose lifetime of creative work helped shape our world.
From a heart-wrenching epiphany in the drama Tuesday to a meme-able moment in Challengers, these were the lines that critic Aisha Harris has remembered all year.
All We Imagine as Light explores the lives of working-class women in Mumbai and won the Grand Prix at Cannes. But it was deemed not Indian enough to submit to the Oscars.
In a legal complaint, the actor says co-star Justin Baldoni and his team launched a smear campaign as a way to silence Lively's narrative about his and a producer's alleged repeated sexual harassment.
Director Barry Jenkins is best known for films like "Moonlight" and "If Beale Street Could Talk." On Wild Card, he opens up about where he felt the safest as a kid.
There's been a bit of consternation flying around about the fact that the theatrical release of Juror #2, directed by Clint Eastwood, was very muted. But this movie is perfect to watch at home.
Pedro Almodóvar's first English-language film, The Room Next Door, is a meditation on death. Writing and making movies "is a way of running away from death," the Spanish director says.
Nickel Boys is one of the most thrillingly inventive literary adaptations our critic has seen in years, while The Brutalist is a rare American films that feels genuinely worthy of the word "epic."
Every year, the National Film Registry picks 25 movies to be preserved for posterity by the Library of Congress. This year's crop also includes Beverly Hills Cop, The Texas Chainsaw Massacre and more.
