From AI research to historical preservation, programs funded by grants from the National Endowment for the Humanities reach every corner of the U.S. Now the government has terminated those grants.
The National Public Housing Museum is now open in Chicago. Installations, exhibits and stories about public housing's successes as well as its challenges are on display.
When the last season left off, Deborah was offered her second chance at late night — and Ava resorted to blackmail. It's hard not to feel like the new season continues to take these two in circles of fight and reconciliation.
Actor Julianne Nicholson talks about balancing grief with humor on her show, Paradise. She shares with Rachel an early memory of "outhouse beauty" and her secret to social situations.
Toback, who wrote Bugsy, faces one of the largest #MeToo verdicts in history after a New York jury ordered him to pay 1.68 billion in damages to 40 women.
The awards, which come with a $50K purse, have helped launch the writing careers of many now well-known authors, including Colson Whitehead, Ocean Vuong, Alice McDermott and Jia Tolentino.
President Trump's sweeping tariff policy has upended the global economy. Zanny Minton Beddoes, the editor-in-chief of The Economist, likens it to The Art of the Deal — on steroids.
The sixth and final season of The Handmaid's Tale, which debuts Tuesday, explores questions of trauma and revenge. Also this week: Hacks returns and Jon Hamm stars in a layered whodunit.
Amy Sherald, who painted former First Lady Michelle Obama's portrait in 2018, has a major survey of her work opening this week at the Whitney Museum of American Art in New York.
"Once you get the funk out there, it's not going back. You can't put it back in the box," says filmmaker Stanley Nelson. His new Independent Lens documentary is out now.
Author Chris Whipple says Biden's family and closest advisers operated in a "fog of delusion" regarding his ability to serve another term: "There's no doubt that they were protecting the president."
Great works of art are great, in part, because they continue to have something to say to the present: They're both timebound and timeless. And, boy, does Gatsby have something to say to us in 2025.
