Bradley and Laura are sitting in a tree, T-A-L-K-I-N-G. Alex doesn't want to moderate the debate, and even though Bradley and Daniel both desperately want to moderate it, Cory only wants her.
The Alabama native has died after battling leukemia. Goldsmith won the top prize on Chopped Junior when he was 14, before moving on to Top Chef Junior.
Reporting from Kabul, Najibullah Quraishi says the Taliban's vice and virtue squads have reinstituted harsh punishments, including whipping, chopping off hands and even hanging people from cranes.
In his new Netflix special, Dave Chappelle tries — and often fails — to justify button-pushing jokes about gay people, transgender people and feminists.
Tucci's entire world, since childhood, has revolved around food. He was devastated when treatment for cancer put him on a feeding tube for six months. Now cancer-free, he has a new memoir, Taste.
The songs in the widely panned Netflix musical that sings and dances its way through Princess Diana's tragic life are not all alike — and we're here to put them all in their proper place.
A new trailer confirmed that Eternals will feature Phastos, a gay character played by Brian Tyree Henry, who's married with a kid. Never heard of him? You're not alone.
Netflix's new 10-part series, which is based on Stephanie Land's best-selling memoir, tells the story of a woman who leaves her husband in the middle of the night, then gets a job as a maid-for-hire.
The show's focus on important subjects makes for compelling viewing. But much from the first two episodes feels like a stitched-together pastiche of items from The Daily Show.
It's Sharon's last day, and Ted is trying to cope. Meanwhile, a business proposition from a billionaire puts Rebecca in a bind, and we get some distressing news about one of the Diamond Dogs.
Shiny new guest star Julianna Margulies shows up to interview Alex and Bradley about their impending reunion, while Mitch enters the heart of his redemption arc.
NPR's Audie Cornish talks with comedian Josh Johnson about his newfound success and how comedy has served as a processing tool for collective trauma throughout the pandemic.