In the new movie IF, a 12-year-old girl (Cailey Fleming) discovers she can see other people's imaginary friends. It stars Ryan Reynolds, and directed by John Krasinski. It mixes the real world and animation, but does it capture the heart of the Pixar movies that inspired it?
The Netflix series Bridgerton is back, as gossipy and over-the-top as ever. Penelope Featherington (Nicola Coughlan) and her crush on childhood best friend Colin Bridgerton (Luke Newton) take center-stage. When Penelope is determined to find a husband, Colin wants to help her and they start spending extra time together. But where will this lead? Well, you know the answer to that. It's all about the journey, and the clothes, and the nudity, and obviously, the Queen's hair.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week:Sophie Truax's puppets and songs, Tyler Joseph Ellis' videos, and the new Tiny Desk Contest winner.
The new music biopic Back to Black chronicles the life of singer-songwriter Amy Winehouse. The film stars Marisa Abela, and follows Winehouse as she records her breakthrough album, gets married, and struggles with addiction. But does the movie do justice to the singer and her music?
The new movie Babes stars Ilana Glazer and Michelle Buteau as longtime best friends who've made very different life choices. It's also about the inherent joys, stressors, and grossness of parenthood, and what it means to embrace your chosen family. It's the feature directorial debut of Pamela Adlon (Better Things).
For years, Black Twitter was the watering hole. It was where we could pop off jokes about Olivia and Fitz on Scandal. It's also where you could call out social injustices. It was both a state of mind and a state of being online. A new Hulu docuseries called Black Twitter: A People's History puts the massive global reach of that space into perspective. But what's changed now that it's owned by Elon Musk?
I Saw the TV Glow is a strange and pleasantly unsettling new film from writer and director Jane Schoenbrun. It's about two teenagers (Justice Smith and Brigette Lundy-Paine) who bond so strongly over a cult monster-of-the-week TV show that it becomes their entire identities. When the show gets canceled, their bond dissolves – until years later, when one of the teens sweeps back into the other's life, bearing secret knowledge that could change everything.
If you're familiar with Interview with the Vampire — because you read the Anne Rice novel or you saw the 1994 movie — the AMC series has some surprises. It revolves around a young man named Louis, his handsome vampire lover, and the creepy vampire child they adopt — but it's funnier, sexier and queerer than you remember. But this Louis isn't a white plantation owner — he's an ambitious and closeted Black man. The show just returned for a new season, so we're revisiting our conversation about the series.
Another year, another glitter-filled spectacle known as the Eurovision Song Contest. The Grand Final airs Saturday at 3:00 p.m. ET on Peacock in the United States.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week: Vanderpump Rules recaps, the book The Worst Ronin, and a duet by Pavarotti and Celine Dion.
The newest iPad ad depicts instruments, books and art supplies flattened into Apple's thinnest product ever. But anyone who owns and loves art in any form knows: The practicality isn't the point.
Kingdom of the Planet of the Apes follows Noa (Owen Teague), an extraordinary chimpanzee whose clan is enslaved by a mercenary ape king named Proximus Caesar (Kevin Durand). As he sets out to gets them back, he's joined by a sage orangutan (Peter Maykin) and a scavenging human (Freya Allan). The movie is set hundreds of years after the recent Planet of the Apes trilogy, but the spirit of Andy Serkis' revolutionary character Caeser still looms large over this new film.
2024 seems destined to go down as the Year of Pop Culture Grievances. Megan vs. Nicki. Beyoncé vs. Nashville. But above all: Kendrick Lamar vs. Drake, who are currently engaged in the nastiest lyrical warfare rap fans have seen in a minute. Today, we're talking about all the pettiness: Why so much beef, and what makes a good battle? And is there ever a clear "winner" in these battles?
