For a seventh straight week, Taylor Swift’s The Tortured Poets Department rules the Billboard 200. On the singles chart, Eminem references both the Steve Miller Band and his own past glory.
Canon-making is a core part of rap fandom, the subject of endless barbershop parleys and message-board battles. But something curdles when the companies that control the music business enter the chat.
Donny Osmond shares Georgia memories and life lessons from his incredible 60 years in show business. He brings his Las Vegas show to Atlanta's Cobb Energy Performing Arts Center on June 25.
A new documentary by the hip-hop historian and critic dream hampton, culled from her own never-before-seen footage of rap's golden age, illustrates the hard labor for women who love the music.
The name of the great contralto and civil rights icon now lives above the doors to the grand hall in Philadelphia’s Kimmel Center for the Performing Arts.
David Bazan's multi-part memoirs have blurred memories of his adolescence, but with the goal of being honest and accountable. NPR Music critic Ann Powers sees connections between Pedro the Lion's Santa Cruz and Jane Schoenbrun’s new film, I Saw the TV Glow.
Released in a span of three months, the new albums by Ayra Starr, Tems and Tyla are not merely career-making for the artists, but ground-shifting for the pop music of the continent.
For a sixth straight week, Swift’s The Tortured Poets Department rules the Billboard 200. The songs chart also features a returning champion: Post Malone’s “I Had Some Help,” featuring Morgan Wallen.
Luiza Brina spent 10 years developing an album of nonreligious prayers. NPR Music's Lars Gotrich dives into newly released music from Brazil, featuring Milton Nascimento, Amaro Freitas and Anitta.
Scientists have long studied how near-infrared light bounces off forests and grasslands, as a proxy for plant health. Now, an artist is using the same trick to turn the Joshua tree into an instrument.
Jack Antonoff has seemingly cracked the code for producing hit albums, winning Grammys for his work with artists like Lana Del Rey and Taylor Swift. But for his own writing, he leans into the unknown.
María Zardoya and Josh Conway founded The Marías as a couple. They talk to NPR's A Martinez about how their breakup has shaped their latest album, Submarine.