Kravitz's memoir follows his childhood and early career. Still touring in his 50s, Kravitz says, "I'm going to continue doing this as long as I can." Originally broadcast Oct. 6, 2020.
The Gramophone Classical Music Awards recognized the group known as BMOP for its extraordinary service to overlooked American composers of the 20th and 21st centuries.
Pianist Lara Downes' latest mini-album traces the story of the Great Migration of Black Americans from the south in the early to mid-20th century, with music by Florence Price and Harry T. Burleigh.
Each year, the Tiny Desk Contest attracts thousands of impressive unsigned artists from across the country — including Z The Author, who sent in a song inspired by 2020's Black Lives Matter protests.
The colorful singer behind viral hit "Photo ID" is releasing her debut album, Juno. Using music to navigate struggles with sobriety, Wolf talks about vulnerability and creating to release feelings.
White spent his early childhood in poverty in Baltimore, at times sleeping in abandoned houses. He's now principal tubist in the Santa Fe Symphony and the New Mexico Philharmonic.
The eloquent pianist used a work break imposed by the pandemic to learn something new: stage directing, a skill set she put to use in creating a multimedia recital.
The sophomore album from the Cuban artist is a wildly danceable collection of songs, including a collaboration with funk legend George Clinton and some family wisdom.
Every year, the Tiny Desk Contest attracts thousands of unsigned musicians from across the country. Yosmel Montejo impressed the judges with "La Caliente," a song that reflects on life in Cuba.
Known as "The Voice of Iran," Googoosh was silenced by the Islamic Revolution in 1979. Active again since 2000, she uses music to keep Iranians forced to leave the country in touch with their culture.
NPR's Michel Martin speaks with singer-songwriter Anthony Hamilton, who delivers his first album in five years with the help of some friends including Jennifer Hudson.
Fire Shut Up in My Bones, based on the Charles M. Blow memoir of the same title, is the first work by a Black composer to be staged by the Metropolitan Opera.
