Greenwood says writing the music for The Power of the Dog allowed him to experiment by mixing a banjo and a string quartet. He also recently scored Spencer and Licorice Pizza.
Anaïs Mitchell spent more than a decade developing her hit musical Hadestown, a retelling of a Greek myth set in hell. Now, after eight Tony Awards and a Grammy, she has changed the scenery.
NPR's Rachel Martin talks to Brent Cobb about his album, And Now, Let's Turn To Page..., which is a collection of spirituals and hymns. Surviving a car crash inspired him to make the album.
Tagaq, a recipient of the national Polaris Music Prize, discusses the subjugation of Canada's Indigenous people and her hopes for healing through acknowledging that difficult history.
Ashli St. Armant plays funky New Orleans-style fare for kids with her band, Jazzy Ash and the Leaping Lizards, and spins mysterious tales in her Viva Durant audiobook series.
The pair took a close look at the subtexts of Euripides' sad, epic tale of Iphigenia — agency, testosterone, violence, faith — and, through a suite of new music, hold them up to the light.
At the turn of the millennium, Radiohead turned creeping melancholy and desolation into two albums that changed the band's career. Two decades later, maybe we've caught up to their prophetic vision.