Apple TV+’s seven-part series written and directed by Alfonso Cuarón stars Cate Blanchett as a successful documentarian faced with a secret about her past.
Industry is less concerned with whether its characters are “likable” and more interested in how they get what they want. In the Season 3 finale, those ambitions reached their inevitable – sometimes gruesome – conclusions.
Wait: Another Batman-without-Batman show? Yep. And its willingness to step outside of the comics to dig under the surface makes it one of the best shows of the year.
Nicole Kidman stars in a juicy, nifty little end-of-summer mystery on Netflix — where the people are beautiful, the arguments are public and sloppy, the house is gorgeous and the drinks are bottomless.
Season 4 brings a fresh influx of guest talent to Only Murders in the Building — but the new faces don’t outshine the crimefighting, podcasting stars: Steve Martin, Martin Short and Selena Gomez.
The Mexican drama The Accident and the Swedish series Quicksand offer interesting perspectives on difficult topics. They are also a reminder that justice plays out differently around the world.
The second season of the Lord of the Rings prequel has many of the same pitfalls as the first – but for fans eager to return to Middle-earth, it’s still worth watching.
The seven-season show about a Baltimore police homicide unit didn’t feature gun battles and car chases. The tone, pacing and camera work were all groundbreaking when the show started in 1993.
Set in 1971 Mexico City, this lively Apple TV+ drama focuses on four police women who discover that it’s easier to capture a serial killer than to deal with the misogyny of the men around them.
After last week’s barn-burner (and serf-burner) of an episode, this season climax qualifies as anti-. The season ends not with a bang, but with a lot of whimpering.
The verdict is in, and the ending is a dud: Rather than wriggling out of the original story’s sexism, the Apple TV+ series just makes the same mistakes in a new way.
