Imagine if Logan Roy from Succession had to solve a murder. That's the vibe of the third and final season of this Danish thriller, which focuses on a heartless developer's attempt to solve a crime.
Little Richard: I Am Everything focuses on the star's roots in — and struggle with — his connection to queer culture. TV critic Eric Deggans says it's a masterpiece.
Turns out multiple choice options work better for SATs than for storytelling. Netflix's Choose Love makes the case against AI writing — ordering a movie like a pizza doesn't make for good movies.
In two HBO documentary projects about scams in football and telemarketing, the systemic problems that drive big-time and small-time grift get their due.
The strangely addictive Japanese series is set in a small, all-night joint, run by a chef whose dishes helps strangers tap into something deep and universal.
Set in New Mexico in the 1970s, Dark Winds stars, is written by, and is largely directed by Native Americans. The resulting series treats Navajo culture not as sociology but as lived experience.
FX's limited series revival Justified: City Primeval offers the nostalgic return of a beloved character. But that alone isn't enough. We take a look back at reboots that worked, and those that didn't.
Superman faces a challenge that reveals the show's beating heart and turns him into an average guy with a battleship-size nemesis: cancer that has stricken his beloved. The season finale airs Tuesday.
These 10 new episodes maintain all the heat of the first season — skillfully avoiding common pitfalls and successfully pushing the story forward. Plus, there are some great guest stars.
Just as Better Call Saul is, in some ways, more interesting than Breaking Bad, so Endeavour offers more emotional richness than the series that inspired it.
