Marcus Kuilan-Nazario's

Marcus Kuilan-Nazario's "Macho Stereo" is an homage to his late father, an audiophile. He says his father used to record on this reel-to-reel player.


"Sonic Terrains in Latinx Art" exhibition at the Vincent Price Art Museum in East L.A.

A museum in East Los Angeles is showcasing the sound work of Latino artists and art collectives in an exhibition called "Sonic Terrains in Latinx Art." The show spans generations and genres, including experimental and avant-garde artists, spoken word performers and pop musicians.

"What emerges is this really interesting, polyphonic expression of sound in our culture," says Joseph Valencia, one of the curators at the Vincent Price Art Museum, located on the campus of East L.A. College. "The art in this exhibition engages with history, engages with community, political activism, art for identity formation, cultural belonging, collective healing."

Three floors of galleries open with the work of Pauline Oliveros, a post-war experimental and electronic musician and composer best known for her work on the accordion and for developing concepts around "deep listening." Valencia says Oliveros' work is important "because it shows a queer female figure who was really challenging both music composition standards at the time and really carving space for people like her."

Much of the art is political. A video piece from artists Guillermo Calzadilla and Jennifer Allora shows activists "reclaiming" the island of Vieques, Puerto Rico after its use as a U.S. military testing ground. In it, a figure rides a motorcycle around the island, a trumpet attached to the exhaust pipe, the sounds meant to echo exploding bombs heard in Vieques for nearly 60 years.

Ruben Guevara at the

Ruben Guevara at the "Sonic Terrains in Latinx Art" exhibition.

Other highlights include Raphael Montañez Ortiz's destroyed piano, a part of his practice stretching back to the '60s; Ruben "Funkahuatl" Guevara's sound poetry; Penelope Uribe-Albee's "Distant Lover," which looks at the impact of LA deejay Art Laboe, who would field song requests for inmates from loved ones on the outside; and "96 Deaths" from the Ambos Project, a piece which uses the U.S.-Mexico border wall as an instrument of tribute to the nearly 100 people who died while attempting to migrate.

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