The Peacock series We Are Lady Parts is a bold and very funny comedy about an up-and-coming London punk band called Lady Parts. The members of Lady Parts, and its manager, are all young Muslim women, from various racial and ethnic backgrounds. Over the course of its first season, each member experiences triumphs and setbacks – including its lead guitarist, who strives to overcome stage fright. The show is about to return for a new season, so today, we are revisiting our conversation about it.
What is it about a show that turns you into a bitter-ender, that keeps you dutifully watching every last episode, long after the train has jumped the tracks? Even when you know it's not good, but, for you anyway, it's just good enough to muddle through, all the way to the finale? Today, we're talking about terrible but bingeable TV shows.
Today, we are bringing you an episode of a new NPR podcast hosted by our pal Rachel Martin. It's called Wild Card, and it's a new interview show where the game controls the conversation. Each week, the guest chooses questions at random — about the memories, insights, and beliefs that have shaped their lives. This episode is an interview with the actor Pop Culture Happy Hour listeners voted as their favorite Chris — Chris Pine.
You may have noticed YouTube suggesting videos with Lawrence of Arabia-lengthruntimes. Because nerds are gonna nerd, and well-made work draws an audience, even if it's a time commitment.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week: The K-pop band ATEEZ, Billie Eilish's new album, the Valley Heat podcast and novels by Megan Abbott.
Furiosa: A Mad Max Saga is packed with bone-crunching practical stunts and lots of gnarly, diesel-powered chase scenes. It also shows a commitment to worldbuilding that grapples with themes of feminism, environmentalism, and humanity. Directed by George Miller, the prequel film tells the story of a Furiosa (Anya Taylor-Joy), who was taken from her home as a girl, raised to be a warrior in a post-apocalyptic wasteland, and now seeks revenge on an evil warlord (Chris Hemsworth).
It's rare to find a series with such an impeccable pedigree as HBO's The Sympathizer. It's based on a Pulitzer Prize-winning novel, co-created by auteur director Park Chan-wook, and features Robert Downey, Jr. in four supporting roles. Set during and after the Vietnam war, the series follows a man (Hoa Xuande) juggling a position with the South Vietnamese military and one as a spy for the North Vietnamese. But is it a worthy adaptation?
In the new movie IF, a 12-year-old girl (Cailey Fleming) discovers she can see other people's imaginary friends. It stars Ryan Reynolds, and directed by John Krasinski. It mixes the real world and animation, but does it capture the heart of the Pixar movies that inspired it?
The Netflix series Bridgerton is back, as gossipy and over-the-top as ever. Penelope Featherington (Nicola Coughlan) and her crush on childhood best friend Colin Bridgerton (Luke Newton) take center-stage. When Penelope is determined to find a husband, Colin wants to help her and they start spending extra time together. But where will this lead? Well, you know the answer to that. It's all about the journey, and the clothes, and the nudity, and obviously, the Queen's hair.
Each week, Pop Culture Happy Hour guests and hosts share what's bringing them joy. This week:Sophie Truax's puppets and songs, Tyler Joseph Ellis' videos, and the new Tiny Desk Contest winner.
The new music biopic Back to Black chronicles the life of singer-songwriter Amy Winehouse. The film stars Marisa Abela, and follows Winehouse as she records her breakthrough album, gets married, and struggles with addiction. But does the movie do justice to the singer and her music?
The new movie Babes stars Ilana Glazer and Michelle Buteau as longtime best friends who've made very different life choices. It's also about the inherent joys, stressors, and grossness of parenthood, and what it means to embrace your chosen family. It's the feature directorial debut of Pamela Adlon (Better Things).
For years, Black Twitter was the watering hole. It was where we could pop off jokes about Olivia and Fitz on Scandal. It's also where you could call out social injustices. It was both a state of mind and a state of being online. A new Hulu docuseries called Black Twitter: A People's History puts the massive global reach of that space into perspective. But what's changed now that it's owned by Elon Musk?